Sunday, December 4, 2011
Sculpture Made From Weather Data
Nathalie Miebach: Art Made of Storms
The artist essentially takes weather data and visualizes it using sculpture and music. Pretty cool stuff:
Thursday, December 1, 2011
Overview of Social Media for Artists
The Pieces
Web Sites Are Still King
Facebook
Blog
Linked-In
Twitter
Google
Putting the Pieces Together
- You don’t need to use all of the channels, but once you pick one, stick with it!
- Overt advertising is considered spam. Start using social media by listening. Don’t send out a bunch of press releases and advertisements. Listen and try to help your admirers and colleagues, see how other people are using these channels and figure out how want to portray yourself. No matter how long you have been making art, you are building a reputation for the first time on each new channel.
- Each channel is different. There are tools that will allow you to send your Facebook updates to Twitter, for example. This is obnoxious and will annoy people, don’t do it.
Monday, October 24, 2011
New Steel Sculptures
Blanket reflection in the window |
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Thursday, July 7, 2011
Georgetown Library Sculpture Show
From the site: From July 10 through September 13, the Texas Society of Sculptors, in conjunction with the Georgetown Arts and Culture Board and the library, is presenting their fourth annual Summer Sculpture Show. The artists reception, at which the show’s award-winners will be announced, will be held on Sunday, July 17, from 1:00 to 3:00 p.m. on the second-floor bridge of the library.
Big Red
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From sculpture |
Tuesday, June 28, 2011
Benny - 25 foot tall cedar sculpture

Benny.
When we first moved to Austin we had one of only three houses that had been built on the block. We were surrounded by wooded lots - cedar and oak trees, deer eating our bushes. It was fantastic. I had an "outdoor studio" next door, until they started building the neighbors house. I was working out there one night when a raccoon came ambling up and chased me back into the garage. I guess I was too close to her family.
One of the trees that was removed to make room for the neighbors house became this tall, curved sculpture. Check out more images at: http://www.ironstonestudios.com/wood.php
Friday, June 24, 2011
Towers Wood Piece
Finally finished the towers piece and added it to the web site.
Cherry is a very hard wood and reacts nicely to a high polish finish. This piece really came out nicely. At over 5 feet tall it is a conversation starter. When I was installing it the first time it was shown in New Jersey, some construction guys walked by and said "that is some great firewood"!
I was focused on some time-honored sculpture traditions with this piece. Immediately evident are positive and negative space. You can see that turning the logs to face away from each other created this profile of negative space, with some great tension! The outward facing surfaces are slightly concave, offering a great reflection with the high polish surface. The line created by the negative space was inspired by the knot pictured at the right.
I also played with texture, keeping the surfaces that face each other rough and adding a high polish finish to the outside surfaces. There is plenty to say about which face we show to the world and how we treat those that are closest to us, but I'll leave that to others.
This wood sculpture would really do best indoors, but the tung oil finish will protect it well enough outside. Tung oil is all natural and easy to re-apply, so I will keep it in good shape until I find a permanent home for it.
The sculpture was completed in 2000, before September 11, and shown at The College of New Jersey. It has been in storage until now.
Thursday, June 16, 2011
Towers Wood Sculpture Refinishing Complete

After many hours of sanding, this piece is ready for a base and installation. I'll post more images on www.ironstonestudios.com once the final piece is documented and ready for a gallery.

Tuesday, June 7, 2011
Choosing web site development software to showcase your artwork
Meanwhile, I have kicked my sculpture career back into gear, and one way to share my work is through the web. I set out to get a quick site up and running that would accomplish a few goals: act as a touchstone for galleries and perspective customers to learn more about my work, increase awareness of my work by expanding my audience, and create an avenue to sell a limited set of pieces. After writing business and marketing plans, I set out to develop a site.
There are many different ways to develop an artist’s web site, and the software solution you choose has to match both your goals and the medium you work in. A fantastic artist who now works for Electronic Arts and is a professional photographer uses Smugmug to display and sell his work through http://www.joelwadephotography.com. This site is impressive, and if you are selling photographs, this seems like the way to go.
The first step with any of these options is to register your domain name. You can do this through a hosting service (I use Dreamhost, but you could use register.com, GoDaddy etc). The process is pretty simple; run a search to see if the name you want is available. If it is, register it and pay a fee. I recommend automatic re-registration so you don’t lose your domain name. Think carefully about your domain name. What will it look like in print? Is it easy to say and remember? Can it create a strange acronym? This is your calling card, so spend some time on it.
If you are selling objects, you have a range of options from extremely simple, what you see is what you get (wysiwyg), to code it yourself using stylesheets and notepad. I started my career the notepad way and I am partial to having that level of control. But I also want to spend my time making sculpture, not developing web sites. I’ll offer an overview from least effort to develop and maintain to the most effort to develop and maintain. To spoil the ending –I choose the most complex, Dreamweaver, after trying Iweb.
Easiest route:
Etsy.com
If you want to sell your work, Etsy is a web “store” that makes it easy for artists to upload a photograph, set a price, and sell their work. Etsy is a really simple, low maintenance way to get your work out there. Twenty cents to post a single piece, and Etsy takes a percentage if you sell your work.
Wordpress or Blogger
The next step up in complexity is to create a blog. You can really create some sophisticated, interesting sites using this software. Check out Norm Hines for an example: http://normhines.com/ Either of these sites make it easy to get started with and easy to configure, customize, brand, and importantly, maintain. Free to set up and maintain your site, so a great option.
IWeb
If you use a Mac, the IWeb and IPhoto combination is pretty powerful and very easy to use. After purchasing the software, you will also need to start an account using a hosting service. If you are convinced that this software combination is right for you and that you don’t plan to use anything else, than a Mobile Me account from Mac (soon to be ICloud, and free) is the way to go. $99 per year to have your web page, photos, documents, and contacts all hosted on the web by Apple. Once your hosting account is set up, IWeb follows a few simple steps to get things up and running. I’ll cover these steps in a different blog post.
Dreamweaver
The last option is to use more powerful, but more complex to use and difficult to understand web development software, such as Dreamweaver. You can write the code by hand in notepad, previewing in a browser as you go, but Dreamweaver offers site management tools, code hints, and publishing options that make it a very efficient tool to use. This is the tool I eventually decided to build the site with, after giving IWeb a try. With any of the other options you will find limitations – the ability to add meta tags, the ability to add more complex scripting or develop a customized contact form all become a series of trade-offs and compromises when using the other tools. With Dreamweaver you can write it yourself if you can’t find something that fits the bill perfectly.
I’ll write more about building the actual site in IWeb and Dreamweaver, as well as using social networking tools such as Facebook, LinkedIn, and Twitter to promote it. Leave a comment if I missed anything!
Thursday, May 19, 2011
Refinishing a wood sculpture

After years of being outside and moving around the country, this piece is in rough shape. I started refinishing it, and thought a description of this process might be interesting to someone who is trying to figure out how to refinish a wood piece. The process is simple - start with low grit sandpaper and work your way up. I started with 50 grit and worked the whole piece for about four hours.
After the 50 grit, I moved on to the 60 grit. It might not seem like a big jump, but getting the bigger cuts, scratches and tool marks is really important. With each grit you need to sand until the only marks on the piece are being made by the tool you are currently using - perfectly smooth at each level of grit.
Carving wood or stone, each tool leaves its own mark. The chisels you use leave a mark not only on the surface itself, but below the surface as well. This is especially clear when you work with marble, but you can still see it when working in wood. What happens is these tool marks will show up later as you refine the surface, and if you don't work each layer of sandpaper enough, you will end up going back to fix things. There some great philosophical foundations here...
I jump to 80, 120, and then 220, working each level for about 2 - 4 hours. I did have to back up off of the 120 on one of these pieces, tool marks started to show.
For this piece, I will use Tung oil as the finish. Tung oil comes from the nut of the tung tree and creates a beautiful, rich color. It is non-toxic, easy to clean up and fun to apply. It doesn't change color like polyurethane, and you can easily apply another coat later on without stripping the whole thing back down to bare wood. Great stuff!
I'll post more when I have this piece closer to finished.